Before You Click Submit, Part 1 – Proofreading Tips

As we get closer to the opening of UV submissions, we’re posting tips to make sure your submission stands the best chance of making it to anthology.

Unless you’re submitting at midnight on 1st July, there’s still time to give yourself a few hours, days or even weeks breathing space before coming back and giving your work a thorough proofread. Make time to check for glaring errors that are going to interrupt a judge’s enjoyment of your piece.

Proofreading the Unfamiliar

The human mind can be wondrous and inventive, but it can also be downright lazy – the more familiar something seems then the less attention we give it which is why taking a break from it is so important.

Another sure fire way to give your proofreading a boost is to make sure what you’re reading looks different:

  • If you predominately write on screen, then printing your text will help you see it in a different light. Use a ruler or piece of paper under each line as you’re reading to slow down and proofread more accurately.
  • If you don’t have access to a printer, editor and author Catherine Coe recommends sending it to an e-reader or another device to read. You could even temporarily change the font to help you proofread it.
  • We often hear errors (especially grammatical ones) better aloud than when we read silently, so reading your text aloud slowly is great way to hear what works and what doesn’t work. Brave authors can record their text and play it back, or even get friends (or text-to-voice software) to read it to them.

Check back tomorrow for some more top tips before you submit and don’t forget to read the relevant criteria for instructions.

Getting Ready for UV2018 – Guest Blog with Sophie Cameron

In our sixth guest blog by a past finalist, Sophie Cameron (UV2016), whose novel Out of the Blue will be published next year, talks about the power of thinking yourself as a writer. 

Masterclass Breakthrough

Just over two years ago, I went to a masterclass on writing young adult fiction with Juno Dawson. The class was brilliant and Juno gave us lots of great tips, but one in particular stood out to me: think of yourself as a writer. If you write, regardless of whether or not you’ve been published, that’s what you are – not an “aspiring writer” or a “wannabe writer”, a writer. (Juno no doubt put it more eloquently than I have, but you get the gist.)

It’s pretty simple advice, but it really changed my outlook on writing. Before, I’d been someone who enjoyed writing, someone who’d done writing courses and workshops, someone who hoped to one day be published… but not a writer. Once I started thinking of myself as such, I began to take my writing more seriously. I got into a routine and started viewing it as a responsibility, just like my day job.

Entering UV

A month or so after that masterclass, I sent the first chapters of my YA novel Out of the Blue to Undiscovered Voices. I’d started writing the manuscript just a few months beforehand so at that stage it was only a very rough first draft, with lots of gaps and plot holes to be filled in. In the time between submission and the longlist announcement, I stayed focused and worked on properly finishing the novel and improving it as much as a could – not because I thought I had much chance of being selected, but because that’s just what writers do.

Even having a complete, polished manuscript to my name felt like a huge achievement.

Even having a complete, polished manuscript to my name felt like a huge achievement. Until then I’d always reach twenty or thirty thousand words, hit a wall, then get distracted by a shiny new idea and start over. I spent years stuck in this cycle, but once I decided I was a writer, finishing felt like something I had to do; it gave me a focus and drive that I’d never had before.

To my amazement, I made the Undiscovered Voices shortlist in December 2015.

The next few months were incredible: I got lots of requests to read the full manuscript from agents and editors, several of whom I met while I was in London for the Undiscovered Voices launch party last February, and ended up with multiple offers of representation. I signed with my brilliant agent Hellie Ogden last March, she sold Out of the Blue to Macmillan Children’s Books in October, and it’s now due to be published in spring 2018 – something that still hasn’t quite sunk in!

I was so lucky to be included in UV, and I know not everyone has such a quick or straighforward route to publication. But thinking of yourself as a writer, as someone who is serious and professional about what they do, can only help – especially if, like me, you’ve had trouble sticking to projects in the past. It doesn’t matter how long you’ve been writing or what stage in your career you’re at: if you write, you’re a writer. Don’t be afraid to think of yourself as such.

Submissions for UV2018 will open this Saturday (1st July 2017) and will close 15th August 2017. Why not sign up here for a reminder when submissions open?


Sophie Cameron is a YA writer from the Highlands of Scotland. Her first novel Out of the Blue was featured in Undiscovered Voices 2016 and will be published by Macmillan Children’s Books in 2018. She currently lives in Spain, where she works as an editor for an events magazine, and is writing her second novel. 

Win Win Win with UV2018!

Submissions for the next Undiscovered Voices open on Saturday! To celebrate, UV founder Sara Grant is giving away books this week. It’s her chance to support her fellow Undiscovered Voices writers and indy bookshops. Follow her on Twitter @AuthorSaraGrant for details and a chance to win books from Imogen White, Simon James Green, Dave Cousins, Kate Scott, Katie Dale, Claire Fayers, Candy Gourlay, Jane Hardstaff, Sarwat Chadda, Jane Benson McLoughlin & Shirley McMillan.

Undiscovered Voices helped launch the careers of 37+ writers with more than 200 books sold worldwide. We can’t wait to see who we will discover next!

Tonight, Monday 26th June, Sara Grant, Benjamin Scott, and Loretta Schauer will be taking questions as part of a live chat from 8pm to 9 p.m. for any last minute Undiscovered Voices questions.

Getting Ready for UV2018 – Guest Blog with Katrina Charman

In our fourth guest blog by a past finalist, Katrina Charman, who was featured in the UV2014 anthology, talks about her UV experience.

Take a Chance

When I sat down to write this blog post I had part of an Abba song repeating in my head – Take a chance, take a chance, take a ch, ch, chance chance. I don’t even like Abba that much, but the point is that when I entered Undiscovered Voices 2014, I honestly didn’t think I had much of a chance. But if you don’t try you don’t get, right?

So I polished up my submission as best I could and sent it off and then went on to my next WIP to stop me from agonising about all of the mistakes I might have made or thoughts of should I have edited more, or changed the opening . . . and on and on.

Then I got THE CALL from the lovely Sara Grant, saying that I was one of the finalists and I honestly couldn’t believe it. Things moved very swiftly from the UV14 launch party to being offered representation from multiple agents and then signing with my fabulous agent Gemma Cooper at The Bent Agency.

But it was not all smooth sailing from there. My entry into the competition, a YA, went out on submission and it didn’t sell. I could have let it get to me (and believe me it hurt) but after a few weeks of feeling sorry for myself, I worked on something else.

Inspired by a workshop run at my agent’s writing retreat, and by my fellow Team Cooper writers, I wrote something completely new and different to my usual YA.

A picture book.

It sold at auction to Bloomsbury and is going to be illustrated by the inimitable Nick Sherratt. This spurred me on to try genres that I had never written in before and to write for different age groups, so I wrote another book – an early reader, and it sold. So I wrote something different, and when it didn’t sell, I wrote something else. Since Undiscovered Voices 2014, I have contracts for 15 books and counting. I am now able to write full time because of the opportunities that the SCBWI and Undiscovered Voices created.

If there is one piece of advice that I can give any aspiring writer or illustrator thinking of entering Undiscovered Voices (and you absolutely should!), it is to keep going. Don’t give up.

I’ve heard a lot of people say that writing is less about talent and more about luck and perseverance. If there is one piece of advice that I can give any aspiring writer or illustrator thinking of entering Undiscovered Voices (and you absolutely should!), it is to keep going. You will get rejections, over and over again. But don’t give up. Try something new – a different genre, age group, a poem. You never know what is going to get you there. Take every opportunity that comes your way, even if you think you have no chance.

You never know where it might lead you.

Take a chance*.

(*Apologies for the earworm!)


Katrina Charman is the author of eleven published books including The Ninjabread Man (Franklin Watts). Poppy’s Place series (Stripes), The Firehawk series (Scholastic) and two picture books to be announced. She lives in the middle of nowhere with her husband and three daughters. In 2013 she was a recipient of the SCBWI BI Margaret Carey scholarship and is lucky enough to be represented by super agent Gemma Cooper at The Bent Agency.

 

Submissions for UV2018 will open on 1st July 2017 and will close 15th August 2017. Why not sign up here for a reminder when submissions open?

 

Honorary Chairs Announced!

We are delighted to announce that Frances Hardinge and Alexis Deacon are to be UV2018’s Honorary Chairs.

Frances Hardinge – Honorary Author Chair

Frances Hardinge, (c) David Levenson

Frances Hardinge was brought up in a sequence of small, sinister English villages, and spent a number of formative years living in a Gothic-looking, mouse-infested hilltop house in Kent. She studied English Language and Literature at Oxford, fell in love with the city’s crazed archaic beauty, and lived there for many years.

Whilst working full time as a technical author for a software company she started writing her first children’s novel, Fly by Night, and was with difficulty persuaded by a good friend to submit the manuscript to Macmillan. Seven of her books have now been published, all aimed at children and young adults. Her most recent book, The Lie Tree, won the Costa Book of the Year Award, the fiction category of the Boston Globe Hornbook Award and the 12-16 age category of the UKLA Awards.

Frances is seldom seen without her hat and is addicted to volcanoes.

Alexis Deacon – Honorary Illustrator Chair

Alexis Deacon is a writer and illustrator of children’s books. His first book, Slow Loris, was published in 2002 and was shortlisted for the Blue Peter Book Award. In 2015 it was named one of the hundred best children’s books of all time by Time Magazine.

He has twice been shortlisted for the Kate Greenaway Medal and is a two time recipient of The New York Times Best Illustrated Children’s Books Award. In 2014, The River, won the Observer/Jonathan Cape/Comica Graphic Short Story Prize.  In 2008 he was chosen by Booktrust as one of the ten best new illustrators of the preceding decade.

Alexis’ latest book, Geis, Nobrow Press, is the first in an epic trilogy genre-spanning a mix of supernatural, historical fantasy, action and folk tale.

Getting Ready for UV2018 – Guest Blog with Georgia Bowers

In the second of a series of guest blog by past finalists, Georgia Bowers, an author featured in the UV2016 anthology, talks about her UV experience.

The 7th of December 2015 was a big day for me. I was leaving work early for the  twelve week scan of my first baby and as I was packing up, I noticed I’d had a missed call on my mobile. I listened to the voicemail and it was a message about my other baby – my novel, Clopwyck River.

I’d tried not to think about making the Undiscovered Voices longlist since I’d had the email a couple of weeks before, but hearing Sara Grant’s voice asking me to call her back, hope and a little bit of doubt came flooding over me. Sara wasn’t calling people to tell them they hadn’t made it, was she?

She wasn’t. Clopwyck River had been chosen for the UV anthology!

At this point I had queried thirty-seven agents, with only one requesting the full manuscript. In the fortnight after the shortlist was announced I had four requests for the full manuscript, including one from an agent in the US, and met with an agent to talk about the possibility of representation. I submitted to a few more agents following the launch and received four requests for the full MS almost immediately. Being part of the anthology also meant that I attended the launch party where I met agents and publishing representatives, and I spoke to a few of the UV judges who said lovely things about my writing, one of them asking me to send him my WIP. I may not have an agent, but being a finalist has got me within touching distance of my dream.

Write what’s in your heart.

My advice for anyone thinking about entering UV would be:

  • Get your 4000 words up to scratch, have a break from them, get them up to scratch for a second time, hold your breath….and enter!
  • Give the rest of your novel the same attention. If there are scenes that you’re not keen on, re-write them or get rid, don’t leave them in and hope that an agent won’t notice them.
  • Write what’s in your heart. An agent asked me to write a version of Clopwyck River without the paranormal storyline. I did it, but the agent didn’t go for it, probably because it wasn’t really what I wanted to write so it had lost my voice and my heart.
  • Learn from every rejection. My re-written version may not have had my heart, but it had my blood, sweat, and tears as I managed to finish writing when I was eight months pregnant! Although the agent didn’t go for it, they did say that it was much more streamlined and successful as a novel. I now know that I’m capable of producing good work if I put a little pressure on myself.
  • Finally, if you make the anthology, network your ass off at the launch party, even if you’re considering signing with an agent already. Keep the momentum going, be proactive and don’t wait for people to come to you; go to them and shout from the rooftops because being included in the UV anthology is an amazing thing.

It’s been a year since the UV launch, and I’ve gained so much.

It’s been a year since the UV launch, and I’ve gained so much. I’m part of a network of writers and illustrators who I feel so proud of when I read about their successes. I have feedback on the first three chapters of Clopwyck River from people with so much experience and insight into the publishing world, I could have only dreamt of it before. I’ve learned that when agents say that the publishing industry is subjective they really do mean it, and it’s not just something they say to fob you off. I have a handful of agents who, although they didn’t go for Clopwyck River, have asked to see anything I write in the future. I’ve had a taste of what it could be like to be a published author and I’m even more driven to achieve it.

 

Oh, and I have a beautiful baby girl, who thinks that every story I tell her is a best seller.

 


Georgia is a librarian by day and Buffy the Vampire Slayer fan by night. She has written a number of articles for Hodderscape including Stranger Things vs. The OA, What Would Buffy Do, and Films To Watch at Halloween if You’re a Big Scaredy-cat. She is currently working on a new YA project, a mix of The Breakfast Club and Lost, where six teenagers take a journey with a bus driving dog and a cross-dressing conductor. Her spirit book character is Mildred Hubble.
Twitter: @georgia_bowers
Tumbler: bookbewitched.tumblr.com
Hodderscape: www.hodderscape.co.uk

UV 2018 Launch Event – 2nd May 2017

The Society of Children’s Book Writers and Illustrators (SCBWI) British Isles will once again help fresh, new voices in children’s literature find agents and publishers through its Undiscovered Voices project.

The Undiscovered Voices anthology will include twelve fiction extracts – from early readers up through young adult novels – and up to twelve black-and-white illustrations. The anthology will be published in February 2018 and sent free of charge to editors, art directors and agents whose focus is children’s literature. The book is produced with the financial support of Working Partners Ltd, a London-based company that creates series fiction.

Submissions will be accepted between 1st July to 15th August 2017 via an online submissions process. There is no submissions’ fee, but only unagented and unpublished members of SCBWI living in the UK and Europe (writing in the English language) are eligible.

Authors and illustrators from the five previous anthologies have received publishing contracts for more than 120 books. The authors have been nominated for and won an amazing array of literary prizes: including the Carnegie Medal, Waterstone’s Children’s Book Prize, Branford Boase Award, Blue Peter Award, the SCBWI Crystal Kite Award, and more than 30 regional awards.

The Undiscovered Voices team will launch the project with an event:

  • Tuesday 2 May 2017
  • from 6:30 p.m. to 8:30 p.m.
  • at the Hachette UK Head Office (Carmelite House, 50 Victoria Embankment, London EC4Y 0DZ) in the 6th Floor Storey Café

The event will consist of two panel discussions – one for writers, one for illustrators – in which the judges will offer invaluable advice for those planning to submit to the anthology. Tickets are free but you must sign up for the event on the British SCBWI website: https://britishisles.scbwi.org/events/undiscovered-voices-2018-kick-off-event-2/. You must be registered for the event to attend.

The following judges will select the stories and illustrations to be included in the anthology:

  • Chrissie Boehm, Artful Doodlers
  • Claire Cartey, Holroyde Cartey
  • Lauren Fortune, Scholastic
  • Andrea Kearny, Bloomsbury Publishing
  • Sarah Leonard, Orchard Children’s Books
  • Joanna Moult, Skylark Literary Limited
  • Polly Nolan, The Greenhouse Literary Agency
  • Gillie Russell, Aitken Alexander Associates
  • Hannah Shepard, DHH Literary Agency
  • Kirsty Stansfield, Nosy Crow
  • Will Steele, Osborne Books
  • Nghiem Ta, Walker Books

For more details about submitting to UV2018, click here.

Getting Ready for UV2018 – Guest Blog with Imogen White

In the first of a series of guest blog by past finalists, Imogen White, whose debut book The Amber Pendant launches in June, talks of her emotional Undiscovered Voices journey and her tips for writers preparing to enter UV2018.

 

When I entered the first 4,000 words of my book (then called Shadow Inclusions) to the Undiscovered Voices 2014 competition it was a big moment for me. It was the first thing I had EVER put out there publicly.

I wasn’t expecting anything to come of it. For me it was more about getting over my jitters and taking that first bold step of pressing the ‘SUBMIT’ button. After all, what did I have to lose?

The moment I learnt I had been selected for the longlist remains my most thrilling memory. Thoughts like there must have been some terrible administrative error were eventually replaced with sheer joy, and tears too, if I’m honest. It was the first time that I felt like an authentic writer. All those embarrassed conversations over many years with family and friends playing down why I dedicated so much time to writing when I had nothing tangible to show for it, were finally laid to rest. The more I thought about it the more my head spun. Would I now be put to the top of the slush pile when I eventually put my work forward to agents and publishers? That was the pinnacle of my aspirations.

Then, quite unexpectedly I got “THE CALL!” from the lovely Sara Grant letting me know that I had been chosen to appear in the Anthology. WOW! What a total privilege. Now the beast of my writing ambitions had become something else; it had grown arms and legs and had a momentum all of its own. Actually, I was also pretty terrified! I felt like a total fraud compared to the other worthy winners, especially as I am mildly dyslexic and had no previous writing experience. But as soon as I met the wonderful Sara Grant and team, I was put at ease. They led us all through the whole process – and best of all my work was printed in the Anthology.

It really is the most brilliant competition. I met so many industry people at the launch party, including the amazing Anna Power from Johnson & Alcock, who became my agent. I feel so fortunate to have met Anna, she believed in my work from the very beginning and her expert editorial advice helped me tidy and develop my story.

So, I am absolutely delighted to announce that the first book in my series of historical mysteries, is to be published by the fantastic team at Usborne in June 2017.

None of this would have been possible if I hadn’t entered Undiscovered Voices. And if it happened to me, it could happen to you too. Go for it!

Imogen White’s Undiscovered Voices Tips:

  • Start with a bang! – Open your submission with a moment of great mystery or high drama, and don’t get bogged down in boring details. Grab the judges’ attention from the off.
  • Get other writers to critique your entry before you send it. These 4,000 words must be the very best you can present. You want honest and considered feedback (not undiluted sunshine!) from people who write themselves and whose opinion you trust. I need help with my punctuation and spelling – so this was a must for me! Thankfully I had a fabulous writing group to share work with.
  • Do a final line edit to make sure every word has earnt its place.
  • Take a deep breath. Press “SUBMIT.”

GOOD LUCK!


Imogen’s debut The Amber Pendant will be published by Usborne, June 2017. the first of the The Rose Muddle Mysteries. It features the plucky workhouse girl, Rose Muddle, whose world is turned upside down when she is given a magic pendant. It is a tale full of necromancy, shadows and adventure. As Rose bravely tries to unpick the clues set in and around Edwardian Hove, she must find out who the baddies are and stop them before an unimaginable evil is let loose… Becky Walker, Usborne Fiction Editor, writes, “The Rose Muddle Mysteries have everything I look for in a series – full to the brim with magic, mystery, myth and history, and pacy stories that are impossible to put down.” You can follow Imogen on Twitter at @imo0030, or visit her website: https://mysteryverse.wordpress.com/author/mysteryverse/

The 2016 Success Story that Almost Never Happened: Patti Buff

Patti BuffSix out of twelve writers among the Undiscovered Voices finalist have now been signed by agents, but the latest signing is one that might have never have happened!

“Most people don’t know this, but I almost entered a previous version of my novel for the 2014 anthology, but decided at the last moment that my story wasn’t working,” confesses finalist Patti Buff. “So I tossed the entire book and started over from scratch. I am so glad I listened to my gut and reworked Requiem because being chosen for the anthology has paid off a thousand-fold.”

A Chance for Immortality

Requiem introduces Rix, a street-wise seventeen-year-old, who has a chance to earn immortality by working for the feared and powerful Cathari family. She just needs to do everything that they ask her to do, but when they kidnap her supposed-to-be-dead boyfriend, she finds herself in the middle of a century old feud. Will the lure of immortality be trumped by the love for a boyfriend who abandoned her?

This irresistible tale told with an amazing voice attracted agent Hannah Sheppard from DHH Literary Agency as soon as she read it in the Undiscovered Voices anthology. “I knew I wanted to talk to her [as soon as I had finished reading Requiem]. We bonded over Midwest America (where Patti is from and where I spent a year as a teenager), blizzards and speech team competitions. We met again at Bologna once I’d finished reading (and loved) the full manuscript to discuss Patti’s future ideas (which I’m incredibly excited about) and that confirmed for me that Patti was someone I’d very much enjoy working with. I was delighted when she agreed to sign with me at DHH Literary Agency.”

Dream Fulfillers

From Patti’s point of view, she felt something click as soon as author and agent spoke to each other. “Not only had she been to the frozen tundra I call home, but she even liked it and remembered it fondly,” Patti tell us. “Hannah told me her vision for both Requiem and my future projects and I knew that I’d found the perfect partner for me and my books. A huge thank you to everyone involved with Undiscovered Voices for making all of this possible. You’ll always be known as the ‘Dream Fulfillers’ to me.”

We’re as glad as Patti that she finally entered her book into Undiscovered Voices and is beginning to see her dedication to her craft pay off!

Getting Prepared for UV2018

For currently undiscovered writers out there, UV2018 will be launching in Spring 2017, so now is a perfect time to start something new in time for the competition or reassess your work-in-progress for the sort of changes that can transform it into a book worthy of the shortlist. Make sure you sign up for email alerts here.

Best of luck from the “Dream Fulfillers”!

Press Release: Submissions open 1st July for Fifth SCBWI Undiscovered Voices

Anthology has proven a successful path to publication for many UK writers and illustrators

UV10The Society of Children’s Book Writers and Illustrators (SCBWI) British Isles will once again help fresh, new voices in children’s literature – both writers and illustrators – find agents, publishers and ultimately readers through its Undiscovered Voices project.

Undiscovered Voices has launched the careers of the writers and illustrators, who have gone on to publish more than 120 books. These authors have been nominated for and won an amazing array of literary prizes: including the Carnegie Medal, Waterstone’s Children’s Book Prize, Branford Boase Award, Blue Peter Award, the SCBWI Crystal Kite Award, and nearly 30 regional awards.

Submissions will be accepted online at www.undiscoveredvoice.com between 1st July to 16th August 2015. There is no submissions’ fee, but only un-agented and unpublished members of SCBWI living in the UK and Europe (writing in the English language) are eligible.

3 scbwi_logo_31kb“The SCBWI British Isles region is thrilled to once again support this innovative project that brings unpublished writers and illustrators into the limelight,” said Natascha Biebow, Regional Advisor for the SCBWI British Isles. “Over the past eight years, we have helped nearly 30 authors and illustrators to get discovered by publishers. We wish all contestants the best of luck!”

The Undiscovered Voices anthology will include twelve fiction extracts – from early readers up through young adult novels – and twelve black-and-white illustrations. The anthology will be published in February 2016 and sent free of charge to editors, art directors and agents whose focus is children’s literature. The book will be produced by volunteers, with the financial support of Working Partners Ltd, a London-based company that creates series fiction.

Working Partners Logo“Working Partners is very proud to continue to support Undiscovered Voices,” said Chris Snowdon, Managing Director of Working Partners. “It is hard to believe this will be the fifth edition of this wonderful vehicle for new authors! Undiscovered Voices is now an established and high profile launch pad for new writing and we can’t wait to see what talent is discovered and published this time around.”

Sally Gardner 2015Multi-award-winning author and illustrator Sally Gardner will serve as the honorary chair for this anthology. Gardner has a long and distinguished career writing and illustrating books for young children and teens alike. Her work has been translated into more than twenty-two languages. Her novel MAGGOT MOON (Hot Key Books) won both the Costa Children’s Book Prize and the Carnegie Medal 2013. Gardner’s genre-defying novel THE DOUBLE SHADOW (Orion) received great critical acclaim and was also longlisted for the Carnegie Medal 2013. Sally also won the 2005 Nestle Children’s Book Prize for her debut novel I, CORIANDER.

The following judges will select the stories and illustrations to be included in the anthology:

  • Jon Appleton, Hodder
  • Ali Ardington, Stripes Publishing
  • Ed Burns, Advocate Art Agency
  • Barry Cunningham, Chicken House
  • Sheri Gee, Folio Society
  • Jodie Hodges, United Agents
  • Rachel Mann, Simon and Schuster
  • Polly Nolan, The Greenhouse Literary Agency
  • Anna Power, Johnson & Alcock
  • Kate Shaw, The Viney Agency
  • Will Steele, Random House
  • Caroline Walsh, David Higham Associates

 

For more details or to submit your novel extract or illustrations, visit www.undiscoveredvoices.com.

 

For More Information ContactSara Grant, uv@britishscbwi.org

About SCBWI

The SCBWI is a network for the exchange of knowledge among writers, illustrators, editors, publishers, agents, librarians, educators, booksellers and others involved with literature for young people. SCBWI boasts more than 22,000 members worldwide in more than 70 regions, making it the largest children’s writing organization in the world. SCBWI British Isles is a dynamic and friendly chapter, which aims to support aspiring and published writers and illustrators, providing opportunities for professional development, networking, and craft development. This anthology presents a unique means of networking with the publishing industry. Join and find out more about SCBWI British Isles at www.britishisles.scbwi.org

 

About Working Partners

From young chapter books to thrilling adult novels, Working Partners’ books are published all over the globe. Since 1994, it has created some of the most recognised series in children’s fiction, including Animal Ark, Heartland and, more recently, Rainbow Magic, Warriors, Beast Quest and Magic Animal Friends. Working Partners has about 100 published projects, consisting of over 1,000 books. It has sold its books in 40 languages. Ten of its series have sold more than a million copies. Four have sold more than 10 million.