UV Masterclass report, part 2

This year’s Undiscovered Voices preparations are bigger than ever with our very first UV Masterclass series proving hugely popular. But if you missed out, don’t panic! Here’s a breakdown to clue you in. Each of the three sessions focused on different elements of your UV submission. Our second report focuses on WRITING A SYNOPSIS with author and editor Benjamin Scott, sharing his secrets for distilling your novel into a 75-word synopsis. This might feel impossible, but Benjamin makes it look easy.

Writing a Synopsis

Firstly, it’s important you don’t try to say too much – it’s only 75-words – try to capture the essence of your story and don’t try to squeeze in all the finer details. Remember, you don’t have to keep it forever – it’s a specific tool to woo our judges.

Hot tip! The writing does matter. Fluidity and intrigue that pulls you in is key, a bit like a movie trailer. You might like to keep that in mind when you’re writing yours. They should tell you just enough to give you a picture of the story and where it might go.

What were the big pointers to look out for?

Make sure you’re pitching your story to the right age group, that the tone and style are reflective of your chapters, be sure to tell the judges about the bigger picture and read the previous anthologies to see successful examples – they’re all available for free!

You’ll notice those who’ve previously bagged themselves a spot in the anthology ensured their audience knew who their stories were about, their conflicts or goals, the stakes and what they intended to do about them, and if they had time, they’ve thrown in a small peppering of setting too.

At the end of the day, Benjamin advises not to let this task consume you – it’s a functional tool just for our judges – if you’re submitting directly to agents, they’ll likely want a longer synopsis.

Get friends and family to check it or write several different versions to let them choose. Why not also get your friends and family to read a selection of your favourite synopses from the previous anthologies? Then ask them what appealed to them.

Make every word count and trust your gut!

Discover more – UV Masterclass report, part 3

Don’t miss the great tips in our UV masterclass report, part 1 on Titles That Sell.

Andrew James is originally from the Lake District and teaches English, Film and Media. He completed his MA in Children’s Literature at Goldsmiths in 2018 and for the past five years, he has organised and hosted monthly agent pitch evenings for his local writing group. He has a passionate dislike for anything referred to as an ‘easy peeler.’ Satsumas are the only way to go.

Getting Ready for UV2018 – Guest Blog with Kate Scott

In our fifth guest blog by a past finalist, Kate Scott, who was featured in the first UV anthology back in 2008, talks about saying yes to changes and inspiration. 

The Magic of Saying Yes

I have a good friend who has taken improv classes for years (‘improv’ being the obligatory shortening of ‘improvisation’ – those extra three syllables being presumably too taxing [or uncool] for those who have been initiated into the process’s dark arts).

As I understand it, taking improv classes involves being willing to writhe on the floor, stick chewing gum in your ear, or arrange chairs into endless representations of impromptu and entirely imaginary cars, airplanes or art sculptures. I am not brave enough to undertake any of those actions (On stage? With witnesses? The horror!) but there is one thing about improv that I do understand and try to emulate.

The one rule when improvising is that you say ‘yes’. Yes to all possibilities. Yes to all avenues. It’s essentially acting out the words ‘why not?’ (It’s also related to perhaps the most basic building blocks of storytelling, the ‘what if?’)

It was ‘why not’ that led me to enter the very first Undiscovered Voices competition.

I said ‘yes’ even though I had no idea (and no confidence) that entering my three chapters would get me anywhere. Where it got me was the most important ‘yes’ of my writing career to date – an inclusion in the Undiscovered Voices anthology. That in turn led to other yes’s (along with many, many no’s). That one yes is the main reason I (eventually) became a published author and a full-time writer.

Where it got me was the most important ‘yes’ of my writing career to date – an inclusion in the Undiscovered Voices anthology.

Holding ‘yes’, or at least, ‘why not?’ in your mind is also helpful when it comes to the editorial process. It particularly comes into its own when someone makes a radical suggestion about changing your story.

Your first instinct might be to say something along the lines of ‘You think I should give my superhero protagonist a flying-dog sidekick with a flatulence problem? You great, galumphing fool!’

But if you give it time and an open mind sometimes you’ll discover that you agree with them – and that they’ve just helped you to make an enormous improvement to your work. (Note: sometimes the suggestion is just that of a great, galumphing fool though. Not everyone likes flatulence in stories, even coming from a flying-dog sidekick.)

You don’t have to writhe on the floor or stick chewing gum in your ear to become a good writer – but you do have to say ‘why not’.

You don’t have to writhe on the floor or stick chewing gum in your ear to become a good writer – but you do have to say ‘why not’. You do have to take a chance on yourself. So take your writing, believe in it, and enter the UV2018 competition. Say yes. Because you never know, they might say yes too.

Submissions for UV2018 will open on 1st July 2017 and will close 15th August 2017. Why not sign up here for a reminder when submissions open?


 

Kate Scott has written over 25 children’s books (trade fiction, educational fiction and non-fiction) and over forty children’s television scripts. She is also a script editor and consultant for children’s film and television; a published/broadcast poet; and a playwright. Spies in Disguise: Boy in Tights won a Lancashire Fantastic Book Award in 2015. Her latest children’s book, Giant, has been longlisted/nominated for two awards. Another standalone novel, Just Jack, comes out in 2018.

Agents: Eve White at Eve White Literary Agency (Books) and Jean Kitson at Kitson Press Associates (Scriptwriting)

Websites: www.evewhite.co.uk and www.kitsonpress.co.uk/

Twitter: @KateScottWriter