In our penultimate guest blog post before submissions close, previous finalist Kathryn Kettle (UV2018), speaks up for the joy of finding your voice and offers valuable shortcuts to finding yours hopefully a little sooner than she found hers. And find it she did as you’ll be able to see in her debut novel, The Boy I Am.
So, what’s this ‘voice’ thing anyway?
The first three books I wrote, I was trying to write. By which I mean, I had an idea what books should sound like in my head, I’d read enough, after all. The few stories I was brave enough to submit went somewhere, but never far enough. Eventually, after working ten years on a book, I couldn’t do it anymore. For a while, I didn’t write, but inevitably I couldn’t leave the itch unscratched.
I returned to write for fun: flash fiction, short stories, fan fiction, and I didn’t write to please anyone but myself. Looking back that’s when it started to happen, I think, when I began to find a voice (*insert choir of triumphant trumpets here*).
Now, don’t get excited… I had NO IDEA I’d achieved this holy-hand grenade of writing goodness until several weeks ago.
After sending early chapters of my second book to my editor, one thing I didn’t expect to hear in return about my second book was, ‘It sounds like you.’
Having been a finalist in the Undiscovered Voices 2018 competition, I must have some kind of ‘voice’ because, after all, that’s what the judges are looking for, but until now I’d attributed it to my main character, his voice.
Hearing my voice
I didn’t think when writing a second, completely different story, with completely different characters, that there would be any similarities. Yet, somehow in the last 10 years, I’ve found a rhythm of my own. After all these years I finally know what ‘voice’ means: being authentic to you, and no one else.
Here’s a list of questions to ask yourself, and exercises to do, to help identify if you’ve nailed ‘voice’…
- Are there words that jump out to you or trusted readers that take them out of the story? What makes them jump out? If it’s not something you’re intending, probably think about the word choices.
- Are you trying to capture a particular style, can you avoid that and put down the words in a unique way to you? Try different styles, sentence structures, poetry, or humour where you wouldn’t before.
- Tell some part of your story out loud in a voice recording app, not as it’s written, but as an anecdote. What do you learn about your way of telling stories in this way? How does it differ from the way you lay it down on the page?
- Use your editorial eye to analyse your writing style. Take a few pages from different points across the work. Are there sentences, paragraphs, dialogue, metaphor techniques etc that you use regularly and how/why do you use them?
- Look also at your themes, the things you are interested in and the ‘problem’ of the story, are they unique way to you and your writing. How can you make them ‘yours’?
- Do some of the above with books in your collection, especially writers lauded for strong voice… can you see what makes them stand out?
- Listen to your gut, when you’re laying the words down do they feel unnatural to you in your head, like you’re laying down bricks, not feathers? If so then it may not be a problem of plot, character or description, but one of voice.
- Most importantly… write it for yourself not anyone else, not a particular judge, crit buddy, friend, family member. Your edit is when you write it for your reader, but your voice will be in your first draft, the one you write for you.
Made in Birmingham, Kathryn Kettle now lives, works and writes in London. The opening of her debut YA novel, The Boy I am, was shortlisted for the Society of Childrens’ Book Writers and Illustrator (SCBWI British Isles) Undiscovered Voices 2018. She has won competitions and been highly commended for her flash fiction, including being longlisted as part of the 2017 Bath Flash Fiction Award.
When not writing, Kathryn can be found travelling and working around the world transforming business with technology. She is passionate about promoting the role of women as leaders, the value of creativity, and the need for diversity at all levels in STEM and business-based careers.
Kathryn is also the creator of the ‘Book Chain Project’ which you can learn more about here.
In our first guest blog by past finalists, Sarah Merrett (UV2018), whose extract was called The Darlington Miracles, talks about how being short-listed opened doors for her and shares tips to get your extract in shape before you’re ready to submit. 
So, you’re thinking of entering Undiscovered Voices 2020. Should you go for it? Most definitely. It was the best decision I ever made for my writing career. Becoming a winning finalist in 2018 was the stuff of dreams. It really opened doors for me. I had agents asking to see my book without even sending out a query. Lots of agents. I was lucky enough to be offered representation from my dream agency before the UV launch party had even started. I still pinch myself sometimes.
