UV2018 Finalists Announced!

SCBWI British Isles is proud to announce the promising, unpublished writers and illustrators who have been selected from a record number of submissions to be included in Undiscovered Voices 2018.

SCBWI congratulates the following authors and illustrators whose work will be featured in the anthology:

  • Annie Walmsley – Writer
  • Dale Hannah – Writer
  • David Hall – Writer
  • Deborah Sheehy – Illustrator
  • Emily Jones- Illustrator
  • Emma Mason – Writer
  • Hannah Mosley – Illustrator
  • Jacob Turner – Illustrator
  • James Crosland-Mills – Illustrator
  • Janet Catherine Gibson Pickering – Illustrator
  • Kate Read – Illustrator
  • Kathryn Kettle – Writer
  • Katie Hayoz – Writer
  • Laure Allain – Illustrator
  • Matthew Olson-Roy – Writer
  • Monika Baum – Illustrator
  • Nicola Penfold – Writer
  • Peta Freestone – Writer
  • Rachel Lovatt – Illustrator
  • Sally Walker – Illustrator
  • Sandy Horsley – Illustrator
  • Sarah Merrett – Writer
  • Serena Patel – Writer

The Undiscovered Voices anthology is available to download for free from www.undiscoveredvoices.com. A printed copy of the anthology also will be available to purchase from Lulu: http://www.lulu.com/shop/scbwi/undiscovered-voices-2018/paperback/product-23456467.html

The stories and illustrations were submitted anonymously and selected by a distinguished panel of industry experts:

UV 2018’s Judges:

  • Chrissie Boehm, Artful Doodlers
  • Claire Cartey, Holroyde Cartey
  • Erzsi Deak, Hen & Ink Literary Studio
  • Lauren Fortune, Scholastic
  • Clelia Gore, Martin Literary Management
  • Andrea Kearney, Bloomsbury Publishing
  • Sarah Leonard, Orchard Books
  • Joanna Moult, Skylark Literary Agency
  • Polly Nolan, The Greenhouse Literary Agency
  • Gillie Russell, Aitken Alexander Associates
  • Hannah Sheppard, DHH Literary Agency
  • Kirsty Stansfield, Nosy Crow
  • Will Steele, Usborne Books
  • Nghiem Ta, Walker Books

Because the anthology is also designed to be a learning tool for up-and-coming children’s writers and artists, quotes from the judges – discussing the merits of each piece – are included at the end of each illustration and extract.

Working Partners Ltd, a London-based company that creates series fiction for children and teens, provided the financial support that made this anthology possible.

Congratulations to this year’s Undiscovered Voices writers and illustrators!

Undiscovered Voices Writers and Illustrators Longlist Announced 

We are pleased to announce the longlist of writers and illustrators who will be considered for the Undiscovered Voices 2018 anthology. These talented writers and illustrators were selected from a record-breaking number of submissions from SCBWI members in Europe. 

  • Alice Stallard
  • Andrea Fautley
  • Annette Edge
  • Annie Walmsley
  • Ashley Taylor
  • Becky Hamilton
  • Catherine Lindow
  • Charlotte Reid
  • Claire Rollinson
  • Dale Hannah
  • Daniel Greaves
  • David Hall
  • Deborah Sheehy
  • Elizabeth Joseph-Brahy
  • Emily Jones
  • Emma Mason
  • Esther Harvey
  • Georgina Kirk
  • Glen Deakin
  • Hannah Mosley
  • Hazel Murrell
  • Helen Simmons
  • Imogen Foxell
  • Jacob Turner
  • James Crosland-Mills
  • Janet Catherine Gibson Pickering
  • Jennifer Hicks
  • Jessica Chuan Ping Lai
  • Joe Callanan
  • Julia Tuffs
  • Kate Read
  • Kathryn Kettle
  • Katie Hayoz
  • Laure Allain
  • Lily Grigorova
  • Lorraine Cooke
  • Louisa Glancy
  • Matthew Olson-Roy
  • Mireille Lachausse
  • Monika Baum
  • Morgan Jackson
  • Natasha Ellis
  • Nicola Penfold
  • Peta Freestone
  • Rachel Lovatt
  • Sally Walker
  • Sandy Horsley
  • Sarah Merrett
  • Serena Patel
  • Stephen Burgess
  • Susan Harris
  • Suzanne Dore
  • Tera Pruitt
  • Wendy Storer
  • Zoe Saunders

The shortlist of writers and illustrators to be featured in the Undiscovered Voices 2018 anthology will be selected from the list above and announced in early January. 

As ever, the quality of submissions was extremely high and the judges had a very difficult time deciding on a longlist.  

The Undiscovered Voices team endeavours to create an anthology that showcases the variety of writing and illustration available from SCBWI members in the British Isles and the European Union.  The goal of the anthology is not only to help the selected authors and illustrators to find agents and editors, but also to promote the quality of work abounding in SCBWI in Europe. 

The stories and illustrations were submitted anonymously and selected by a distinguished panel of industry experts: 

  • Chrissie Boehm, Artful Doodlers 
  • Claire Cartey, Holroyde Cartey 
  • Lauren Fortune, Scholastic  
  • Andrea Kearny, Bloomsbury Publishing 
  • Sarah Leonard, Orchard Books 
  • Joanna Moult, Skylark Literary Agency 
  • Polly Nolan, The Greenhouse Literary Agency  
  • Gillie Russell, Aitken Alexander Associates  
  • Hannah Sheppard, DHH Literary Agency 
  • Kirsty Stansfield, Nosy Crow 
  • Will Steele, Osborne Books 
  • Nghiem Ta, Walker Books

Congratulations to the talented Undiscovered Voices longlisted writers and illustrators! 

All the best, 

The Undiscovered Voices Team 

Rosie Best, Catherine Coe, Jenny Glencross, Sara Grant, Simon James Green, Patrick Miller, Anne-Marie Perks, Loretta Schauer, Benjamin Scott and Tioka Tokedira 

Undiscovered Voices 2018 – now open for submissions!

SCBWI and sponsors Working Partners are delighted to announce that submissions for the sixth Undiscovered Voices competition are now open. Undiscovered Voices helps fresh, new voices in children’s literature find agents and publishers.

The Undiscovered Voices anthology will include twelve fiction extracts – from early readers up to young adult novels – and twelve black-and-white illustrations. The anthology will be published in February 2018 and sent free of charge to editors, art directors and agents whose focus is children’s literature. The book is produced with the financial support of Working Partners Ltd, a London-based company that creates series fiction.

Submissions will be accepted between 1st July and 15th August 2017 via an online submissions process. There is no submission fee, but only unagented and unpublished members of SCBWI living in the UK and Europe (writing in the English language) are eligible.

From the five previous anthologies, Undiscovered Voices featured authors and illustrators have received publishing contracts for more than 200 books. The authors have been nominated for and won an amazing array of literary prizes: including the Carnegie Medal, Waterstone’s Children’s Book Prize, Branford Boase Award, Blue Peter Award, the SCBWI Crystal Kite Award, and over 30 regional awards.

The following judges will select the extracts and illustrations to be included in the anthology:

  • Chrissie Boehm, Artful Doodlers
  • Claire Cartey, Holroyde Cartey
  • Lauren Fortune, Scholastic
  • Andrea Kearny, Bloomsbury Publishing
  • Sarah Leonard, Orchard Children’s Books
  • Joanna Moult, Skylark Literary Limited
  • Polly Nolan, The Greenhouse Literary Agency
  • Gillie Russell, Aitken Alexander Associates
  • Hannah Shepard, DHH Literary Agency
  • Kirsty Stansfield, Nosy Crow
  • Will Steele, Osborne Books
  • Nghiem Ta, Walker Books

Click here to enter your writing submission and here to enter your illustration.

Before You Click Submit, Part 3 – Eight Ways to Make Sure Your Submission Hits the Mark

As we get closer to the opening of UV submissions, we’re posting tips to make sure your submission stands the best chance of making it into the anthology.

Eight Ways to Make Sure Your Submission Hits the Mark

Shine by Candy Gourlay

Award-winning author and one of the first UV finalists Candy Gourlay has kindly given us eight incredible and direct tips to make sure your submission is ready to wow our judges:

Tip 1: Intrigue starts with your first chapter. No explanations. Make your reader desperate to find out what happens next.

Tip 2: Voice. Everyone talks about looking for a voice. Voice only happens when your characters have come alive. How do you do that? Inhabit your character and build the plot from within.

Tip 3. Setting is context AND character, not information. Stop describing and start characterising. If your setting is alive, your reader will read on.

Tip 4. Cause and effect. If cause and effect is not happening then your chapter is static and your reader has probably died of boredom.

Tip 5. Don’t be anxious to make sure that your reader understands your story in the first three chapters. First chapters intrigue and lead your reader on. They are not there to explain. Trust the judges – they are reading a LOT of first chapters and I’ll bet a lot of them are explaining rather than exciting.

Tip 6. Select the eggs you’re going to offer in the basket. YOU DON’T HAVE TO PUT EVERYTHING INTO THE FIRST CHAPTER. You are more likely to engage a reader with a choice selection.

Tip 7. Make sure you identify WHO you’re writing for and that your sample is appropriate to your target readership. Oh, and here’s a guess … most people submitting will probably be writing YA. Ask yourself, is this the one that will help me stand out in the herd?

When you are editing down your chapter samples, don’t cut for word number, cut for MEANING and DRAMA.

Tip 8. When you are editing down your chapter samples, don’t cut for word number, cut for MEANING and DRAMA. I know so many people who edit down without realising that they are losing the deliciousness of their writing. This means you will have to be wise and practical about choosing what you winnow out of your text.

Check back soon for more top writing tips before you submit.


Candy Gourley was a finalist in UV2008. She has been a journalist, press photographer, web designer, short film maker, radio presenter (well, once) and fake American accent voice talent. She once helped overthrow a dictator (with several million other people). She has now forsworn revolutionary activity to become a children’s author. She is the award-winning author of Tall Story and Shine.  www.candygourlay.com

Getting Ready for UV2018 – Guest Blog with Jane Hardstaff

In the third of a series of guest blog by past finalists, Jane Hardstaff, talks about the twisty-turny route to becoming a published author, and almost not entering Undiscovered Voices 2012!

When I was sixteen years old, I had a weekend job as a waitress in a hotel in the small market town where we lived. The hotel restaurant was the place you ate if you were old-school posh. It had a veneer of class (avocado vinaigrette, Dover sole and grouse in season), but underneath it was kind-of seedy with many unpleasant tasks for a waitress. It was my job to pick the flies out of the vinaigrette with a teaspoon. To descend to the creepy cold store, always worried I’d lock myself in. To clean up after the very hairy hotel dog. Every Friday and Saturday night, I’d arrive home stinking of grease and cigar smoke and I guess you could say this was a pretty uninspiring job. I wasn’t being mentored on some amazing internship. I was hiding from the sleazeball barman and developing an addiction to prawn cocktail.

At sixteen years old I had no particular ambition to be a writer. All I knew was I didn’t want to be a waitress. Fast forward a couple of decades. I’d travelled a twisty-turny route through several jobs, discovering along the way that the one thing that made me happy (and also weirdly unhappy) was writing.

If you are wondering (as I did) whether to enter Undiscovered Voices, then you probably should.

What has any of this got to do with Undiscovered Voices? I guess what I want to say is, it can take a long time to find your voice. And it can take just as long to pluck up the courage to get it out there. If you are wondering (as I did) whether to enter Undiscovered Voices, then you probably should. You are probably your own worst critic. Enter, because you have nothing to lose. And if you’re not longlisted, keep going. Write a better book. Write the book only you can write.

It may take half a lifetime to get there, but it will be worth it.

 


The Executioner's Daughter
The Executioner’s Daughter by Jane Hardstaff

Jane Hardstaff (UV 2012) is the author of The Executioner’s Daughter and River Daughter (published by Egmont UK and Lerner Books USA). Longlisted for the Branford Boase, winner of the Salisbury Schools Book Award and selected for USBBY Outstanding International Books List 2017.

 

Submissions for UV2018 will open on 1st July 2017 and will close 15th August 2017. Why not sign up here for a reminder when submissions open?

2016 Success Update: Scholastic UK announces acquisition of NOAH CAN’T EVEN by Simon James Green with pride

UV 2016 finalist Simon James Green has signed a two-book deal with Scholastic for NOAH CAN’T EVEN (previously called Nuts), and a follow up title.

Linas Alsenas at Scholastic UK bought World Rights from Joanna Moult from Skylark Literary, having been captivated by painfully geeky protagonist Noah Grimes.

Simon James GreenAuthor Simon James Green says: “Being published by Scholastic is a dream come true, and it’s an honour to join their list of such wonderful authors. The Scholastic team are fantastically supportive, and I’m really looking forward to working with them to bring this funny, confused, complex mess of a teenage boy into the world. All of this was possible thanks to Undiscovered Voices and I’m incredibly grateful for everything the team at UV have done for me.”

Linas Alsenas, Commissioning and Development Editor – Fiction for Scholastic UK, says: “I often hear editors say something along the lines of “As an editor, I live in hope that a book like this will cross my desk,” but in the case of Noah Can’t Even, there’s no other way to put it. I. Love. This. Book. It gives me all the feels, but most of all a steady stream of genuine, snort-out-loud laughs. The plot twists are shocking and mad – poor Noah – and yet the characters never cease to be real and fully drawn. I’m really looking forward to readers getting to know Simon, who is just as hilarious and fabulous as you would expect from his writing.”

Noah Can’t Even by Simon James Green publishes in May 2017.

The Magical Voyage That Comes After Being a UV Finalist

Claire Fayers
Claire Fayers (UV 2014)

The thing they don’t tell you about Undiscovered Voices is how it turns your writing life upside down. I’d been writing for a long time before I became a 2014 winner, and I knew the process. You write a novel. You edit the novel. You edit some more. Then you send off queries to some carefully-chosen agents and wait while, one by one, the polite rejection notes come in. Then you repeat.

Yet within days of the Undiscovered Voices 2014 longlist coming out, I had a query from an agent. (Don’t they know how this is supposed to work? I’m supposed to query them, not the other way round.) And when the shortlist was published, it all went a bit mad. Not just agents, but editors – real, live editors who weren’t just having a laugh, but sounded really serious about wanting to read my book.

And this is where I discovered the real strength of Undiscovered Voices – the organisers. Their patience is endless and I couldn’t have managed without their advice and support. Over many phone calls and email exchanges, they never once made me feel like my questions were silly or a waste of time. Everything from what should I wear to the launch party to how on earth do I go about choosing an agent when everyone is so brilliant.

The Voyage to Magical North by Claire Fayers
The Voyage to Magical North by Claire Fayers (US Edition)

The launch party is the most amazing, exhilarating, terrifying experience. Hundreds of agents and publishing people all wanting to talk to you about your book. And once again, the organisers are on hand to steer you towards the right people and make sure you’re never left standing on the side-line. As someone who has spent every party ever standing on the side-line, this was something new.

I came away from the launch part with multiple offers of representation and spent weeks agonising over a decision before signing with Gemma Cooper of the Bent Agency. It still hadn’t occurred to me that my book might actually sell, but this is what happened here.

Less than a month after going on submission, my book sold at auction in a transatlantic deal. Not just the first book, but two more books that I hadn’t even written yet.

Almost exactly one year after the UV2014 longlist came out, I gave up work to write full-time.

The Accidental Pirates: Voyage to Magical North will be published by Macmillan in the US on the 5th July and the UK on the 14th July this year. Book two will be out in 2017.

My advice to the 2016 finalists is: celebrate, keep writing, ask all the questions you want and take your time with everything. Enjoy the magical adventure.

Tweet Advice for UV Submitters – #AskSwanwick Chat Write Up

One Undiscovered Voices area that’s usually under-represented by good quality submissions is for the youngest (5-8) age group. “We’d loved to see more of those,” Catherine told us. “Funny is often the key – and something obvious, like a timeless theme that works, such as fairies, witches, dragons, beasts, princesses, and animals.”

Undiscovered Voices committee members, Rosie Best and Catherine Coe, participated in a twitter chat for #AskSwanwick on Wednesday, 3rd June 2015. They discussed a range of issues about editing, book packaging and, of course, dispense some sage advice on Undiscovered Voices.

You can read a write up of the chat here at http://www.swanwickwritersschool.org.uk. Look out for some great advice on how to edit and proofread your own work before submitting!

UV 2014 – Writers Bonus – The Panel discuss their recent acquisitions and why they loved them!

Please note: this video relates to the 2014 Undiscovered Voices judging panel.

As part of the Undiscovered Voices competition launch on April 18th 2013, we asked the fiction judging panel who were present about their most recent acquisitions. What followed revealed a lot about the role agents and editors in the acquisition process and how important it is for there to be a personal connection between the reader and the characters. It’s not just about being commercial and marketable, but about making the reader excited into enter into the world of the book. In comes as no surprise to anyone who has watched the previous videos that the role of voice ruled supreme.

 

UV 2014 – Writers Bonus – Ben and Sam discuss “Is there ever a time for Info dump?”

Please note: this video relates to the 2014 Undiscovered Voices judging panel.

In this bonus video from our fiction judging panel, Ben Horslen and Samantha Smith talk about how characters can be used to impart information and getting around problematic exposition (as known as “Info Dump”). Please check out our other Undiscovered Voices videos.