UV Finalists Coming to the Big Screen

The Extincts by Veronica Cossanteli

We’re delighted to hear that UV2012 finalist Veronica Cossanteli is having her book The Extincts adapted into an animated film to be directed by William Joyce. David Lipman (producer of Shrek 2) will adapt the project for the big screen, with Oscar-winning filmmaker and author/illustrator William “Bill” Joyce helming.

You can find out more in this article from the Hollywood Reporter.

Get the Scoop from the Illustration Masterclass on Black and White Illustration

Imogen Noxell reports in Words & Pictures on the recent SCBWI Masterclass on black & white illustration at the House of Illustration, in preparation for #UV2018. Anne-Marie Perks, Loretta Schauer, and Patrick Miller share their inspiration, working materials and top advice. Check out the write up here.

UV2018 Buzz Round Up

A buzz is building about #UV2018 and we’ll be capturing blog posts and reports here.

Missed the Undiscovered Voices Masterclass about writing Young Fiction? Check out this report in Words & Pictures by Marianna Reed Barber who shares some of what she learnt from UV committee members Catherine Coe, Sara Grant and Benjamin Scott. This piece is packed with excellent advice on creating fiction for young readers with hook, heart and longevity: http://www.wordsandpics.org/2017/05/undiscovered-voices-masterclass.html

Want to catch what the judges said at the UV Kick Off event, then track down the livestream video on the SCBWI British Isles Facebook group here: https://www.facebook.com/groups/122794234418913/videos/

Former UV finalists have been blogging about their writing journeys and how being featured in the anthology was an important step in their careers.

Em Lynas talks about her tenacity and enduring dream to be writer that lead to become both an honorary mention and a finalist in Undiscovered Voices. Her hard work and patience is finally paying off, find out more in her blog here: http://www.notesfromtheslushpile.com/2017/05/the-writers-journey-how-long.html

Finally, Katrina Charman talks about her career really took off when she became a UV finalist and has now become the author of eleven books (and rising!). You can read about her blog and encouragement to writers to enter UV here: https://katrinacharman.wordpress.com/2017/05/05/undiscovered-voices/

 

UV2018 submissions will open on 1st July 2017 and will close 15th August 2017. Why not sign up here for a reminder when submissions open?

Twitter Chat Q+A #scbwichat on #uv2018 – 11th May, 8pm.

We are excited to announce that hot on the heels of the Undiscovered Voices 2018 launch, we’ll be answering questions as part of the very first #scbwichat from 8 to 9pm on Thursday 11th May. Answering questions for both writing and illustration will be:

  • Jenny Glencross
  • Benjamin Scott
  • Rosie Best
  • Anne-Marie Perks
  • Patrick Miller


This is an excellent opportunity for everyone to catch up on all the information that was given at the UV launch (especially for those who couldn’t make it) or to clarify things that were talked about. The committee will also give some hints and tips on putting together a great submission and will share some of the advice that was given by the judges on the launch day.

Undiscovered Voices is an initiative by the Society of Children’s Book Writers and Illustrators (SCBWI) British Isles to help fresh, new voices in children’s literature – both writers and illustrators – find agents, publishers and ultimately readers.

See you from 8 to 9pm on Thursday 11th May on twitter as part of #scbwichat.

Honorary Chairs Announced!

We are delighted to announce that Frances Hardinge and Alexis Deacon are to be UV2018’s Honorary Chairs.

Frances Hardinge – Honorary Author Chair

Frances Hardinge, (c) David Levenson

Frances Hardinge was brought up in a sequence of small, sinister English villages, and spent a number of formative years living in a Gothic-looking, mouse-infested hilltop house in Kent. She studied English Language and Literature at Oxford, fell in love with the city’s crazed archaic beauty, and lived there for many years.

Whilst working full time as a technical author for a software company she started writing her first children’s novel, Fly by Night, and was with difficulty persuaded by a good friend to submit the manuscript to Macmillan. Seven of her books have now been published, all aimed at children and young adults. Her most recent book, The Lie Tree, won the Costa Book of the Year Award, the fiction category of the Boston Globe Hornbook Award and the 12-16 age category of the UKLA Awards.

Frances is seldom seen without her hat and is addicted to volcanoes.

Alexis Deacon – Honorary Illustrator Chair

Alexis Deacon is a writer and illustrator of children’s books. His first book, Slow Loris, was published in 2002 and was shortlisted for the Blue Peter Book Award. In 2015 it was named one of the hundred best children’s books of all time by Time Magazine.

He has twice been shortlisted for the Kate Greenaway Medal and is a two time recipient of The New York Times Best Illustrated Children’s Books Award. In 2014, The River, won the Observer/Jonathan Cape/Comica Graphic Short Story Prize.  In 2008 he was chosen by Booktrust as one of the ten best new illustrators of the preceding decade.

Alexis’ latest book, Geis, Nobrow Press, is the first in an epic trilogy genre-spanning a mix of supernatural, historical fantasy, action and folk tale.

Getting Ready for UV2018 – Guest Blog with Georgia Bowers

In the second of a series of guest blog by past finalists, Georgia Bowers, an author featured in the UV2016 anthology, talks about her UV experience.

The 7th of December 2015 was a big day for me. I was leaving work early for the  twelve week scan of my first baby and as I was packing up, I noticed I’d had a missed call on my mobile. I listened to the voicemail and it was a message about my other baby – my novel, Clopwyck River.

I’d tried not to think about making the Undiscovered Voices longlist since I’d had the email a couple of weeks before, but hearing Sara Grant’s voice asking me to call her back, hope and a little bit of doubt came flooding over me. Sara wasn’t calling people to tell them they hadn’t made it, was she?

She wasn’t. Clopwyck River had been chosen for the UV anthology!

At this point I had queried thirty-seven agents, with only one requesting the full manuscript. In the fortnight after the shortlist was announced I had four requests for the full manuscript, including one from an agent in the US, and met with an agent to talk about the possibility of representation. I submitted to a few more agents following the launch and received four requests for the full MS almost immediately. Being part of the anthology also meant that I attended the launch party where I met agents and publishing representatives, and I spoke to a few of the UV judges who said lovely things about my writing, one of them asking me to send him my WIP. I may not have an agent, but being a finalist has got me within touching distance of my dream.

Write what’s in your heart.

My advice for anyone thinking about entering UV would be:

  • Get your 4000 words up to scratch, have a break from them, get them up to scratch for a second time, hold your breath….and enter!
  • Give the rest of your novel the same attention. If there are scenes that you’re not keen on, re-write them or get rid, don’t leave them in and hope that an agent won’t notice them.
  • Write what’s in your heart. An agent asked me to write a version of Clopwyck River without the paranormal storyline. I did it, but the agent didn’t go for it, probably because it wasn’t really what I wanted to write so it had lost my voice and my heart.
  • Learn from every rejection. My re-written version may not have had my heart, but it had my blood, sweat, and tears as I managed to finish writing when I was eight months pregnant! Although the agent didn’t go for it, they did say that it was much more streamlined and successful as a novel. I now know that I’m capable of producing good work if I put a little pressure on myself.
  • Finally, if you make the anthology, network your ass off at the launch party, even if you’re considering signing with an agent already. Keep the momentum going, be proactive and don’t wait for people to come to you; go to them and shout from the rooftops because being included in the UV anthology is an amazing thing.

It’s been a year since the UV launch, and I’ve gained so much.

It’s been a year since the UV launch, and I’ve gained so much. I’m part of a network of writers and illustrators who I feel so proud of when I read about their successes. I have feedback on the first three chapters of Clopwyck River from people with so much experience and insight into the publishing world, I could have only dreamt of it before. I’ve learned that when agents say that the publishing industry is subjective they really do mean it, and it’s not just something they say to fob you off. I have a handful of agents who, although they didn’t go for Clopwyck River, have asked to see anything I write in the future. I’ve had a taste of what it could be like to be a published author and I’m even more driven to achieve it.

 

Oh, and I have a beautiful baby girl, who thinks that every story I tell her is a best seller.

 


Georgia is a librarian by day and Buffy the Vampire Slayer fan by night. She has written a number of articles for Hodderscape including Stranger Things vs. The OA, What Would Buffy Do, and Films To Watch at Halloween if You’re a Big Scaredy-cat. She is currently working on a new YA project, a mix of The Breakfast Club and Lost, where six teenagers take a journey with a bus driving dog and a cross-dressing conductor. Her spirit book character is Mildred Hubble.
Twitter: @georgia_bowers
Tumbler: bookbewitched.tumblr.com
Hodderscape: www.hodderscape.co.uk

UV2018 – Words & Pictures Special Feature

UV committee members Benjamin Scott and Catherine Coe talk to SCBWI BI Words & Picture Events Editor A. M. Dassu about the reason for setting up UV and the upcoming special writing younger fiction Masterclass.

Benjamin and Catherine offer tips and insights in the sixth Undiscovered Voices competition. Read more here.

 

 

UV 2018 Launch Event – 2nd May 2017

The Society of Children’s Book Writers and Illustrators (SCBWI) British Isles will once again help fresh, new voices in children’s literature find agents and publishers through its Undiscovered Voices project.

The Undiscovered Voices anthology will include twelve fiction extracts – from early readers up through young adult novels – and up to twelve black-and-white illustrations. The anthology will be published in February 2018 and sent free of charge to editors, art directors and agents whose focus is children’s literature. The book is produced with the financial support of Working Partners Ltd, a London-based company that creates series fiction.

Submissions will be accepted between 1st July to 15th August 2017 via an online submissions process. There is no submissions’ fee, but only unagented and unpublished members of SCBWI living in the UK and Europe (writing in the English language) are eligible.

Authors and illustrators from the five previous anthologies have received publishing contracts for more than 120 books. The authors have been nominated for and won an amazing array of literary prizes: including the Carnegie Medal, Waterstone’s Children’s Book Prize, Branford Boase Award, Blue Peter Award, the SCBWI Crystal Kite Award, and more than 30 regional awards.

The Undiscovered Voices team will launch the project with an event:

  • Tuesday 2 May 2017
  • from 6:30 p.m. to 8:30 p.m.
  • at the Hachette UK Head Office (Carmelite House, 50 Victoria Embankment, London EC4Y 0DZ) in the 6th Floor Storey Café

The event will consist of two panel discussions – one for writers, one for illustrators – in which the judges will offer invaluable advice for those planning to submit to the anthology. Tickets are free but you must sign up for the event on the British SCBWI website: https://britishisles.scbwi.org/events/undiscovered-voices-2018-kick-off-event-2/. You must be registered for the event to attend.

The following judges will select the stories and illustrations to be included in the anthology:

  • Chrissie Boehm, Artful Doodlers
  • Claire Cartey, Holroyde Cartey
  • Lauren Fortune, Scholastic
  • Andrea Kearny, Bloomsbury Publishing
  • Sarah Leonard, Orchard Children’s Books
  • Joanna Moult, Skylark Literary Limited
  • Polly Nolan, The Greenhouse Literary Agency
  • Gillie Russell, Aitken Alexander Associates
  • Hannah Shepard, DHH Literary Agency
  • Kirsty Stansfield, Nosy Crow
  • Will Steele, Osborne Books
  • Nghiem Ta, Walker Books

For more details about submitting to UV2018, click here.

Getting Ready for UV2018 – Guest Blog with Imogen White

In the first of a series of guest blog by past finalists, Imogen White, whose debut book The Amber Pendant launches in June, talks of her emotional Undiscovered Voices journey and her tips for writers preparing to enter UV2018.

 

When I entered the first 4,000 words of my book (then called Shadow Inclusions) to the Undiscovered Voices 2014 competition it was a big moment for me. It was the first thing I had EVER put out there publicly.

I wasn’t expecting anything to come of it. For me it was more about getting over my jitters and taking that first bold step of pressing the ‘SUBMIT’ button. After all, what did I have to lose?

The moment I learnt I had been selected for the longlist remains my most thrilling memory. Thoughts like there must have been some terrible administrative error were eventually replaced with sheer joy, and tears too, if I’m honest. It was the first time that I felt like an authentic writer. All those embarrassed conversations over many years with family and friends playing down why I dedicated so much time to writing when I had nothing tangible to show for it, were finally laid to rest. The more I thought about it the more my head spun. Would I now be put to the top of the slush pile when I eventually put my work forward to agents and publishers? That was the pinnacle of my aspirations.

Then, quite unexpectedly I got “THE CALL!” from the lovely Sara Grant letting me know that I had been chosen to appear in the Anthology. WOW! What a total privilege. Now the beast of my writing ambitions had become something else; it had grown arms and legs and had a momentum all of its own. Actually, I was also pretty terrified! I felt like a total fraud compared to the other worthy winners, especially as I am mildly dyslexic and had no previous writing experience. But as soon as I met the wonderful Sara Grant and team, I was put at ease. They led us all through the whole process – and best of all my work was printed in the Anthology.

It really is the most brilliant competition. I met so many industry people at the launch party, including the amazing Anna Power from Johnson & Alcock, who became my agent. I feel so fortunate to have met Anna, she believed in my work from the very beginning and her expert editorial advice helped me tidy and develop my story.

So, I am absolutely delighted to announce that the first book in my series of historical mysteries, is to be published by the fantastic team at Usborne in June 2017.

None of this would have been possible if I hadn’t entered Undiscovered Voices. And if it happened to me, it could happen to you too. Go for it!

Imogen White’s Undiscovered Voices Tips:

  • Start with a bang! – Open your submission with a moment of great mystery or high drama, and don’t get bogged down in boring details. Grab the judges’ attention from the off.
  • Get other writers to critique your entry before you send it. These 4,000 words must be the very best you can present. You want honest and considered feedback (not undiluted sunshine!) from people who write themselves and whose opinion you trust. I need help with my punctuation and spelling – so this was a must for me! Thankfully I had a fabulous writing group to share work with.
  • Do a final line edit to make sure every word has earnt its place.
  • Take a deep breath. Press “SUBMIT.”

GOOD LUCK!


Imogen’s debut The Amber Pendant will be published by Usborne, June 2017. the first of the The Rose Muddle Mysteries. It features the plucky workhouse girl, Rose Muddle, whose world is turned upside down when she is given a magic pendant. It is a tale full of necromancy, shadows and adventure. As Rose bravely tries to unpick the clues set in and around Edwardian Hove, she must find out who the baddies are and stop them before an unimaginable evil is let loose… Becky Walker, Usborne Fiction Editor, writes, “The Rose Muddle Mysteries have everything I look for in a series – full to the brim with magic, mystery, myth and history, and pacy stories that are impossible to put down.” You can follow Imogen on Twitter at @imo0030, or visit her website: https://mysteryverse.wordpress.com/author/mysteryverse/

2016 Success Update: Scholastic UK announces acquisition of NOAH CAN’T EVEN by Simon James Green with pride

UV 2016 finalist Simon James Green has signed a two-book deal with Scholastic for NOAH CAN’T EVEN (previously called Nuts), and a follow up title.

Linas Alsenas at Scholastic UK bought World Rights from Joanna Moult from Skylark Literary, having been captivated by painfully geeky protagonist Noah Grimes.

Simon James GreenAuthor Simon James Green says: “Being published by Scholastic is a dream come true, and it’s an honour to join their list of such wonderful authors. The Scholastic team are fantastically supportive, and I’m really looking forward to working with them to bring this funny, confused, complex mess of a teenage boy into the world. All of this was possible thanks to Undiscovered Voices and I’m incredibly grateful for everything the team at UV have done for me.”

Linas Alsenas, Commissioning and Development Editor – Fiction for Scholastic UK, says: “I often hear editors say something along the lines of “As an editor, I live in hope that a book like this will cross my desk,” but in the case of Noah Can’t Even, there’s no other way to put it. I. Love. This. Book. It gives me all the feels, but most of all a steady stream of genuine, snort-out-loud laughs. The plot twists are shocking and mad – poor Noah – and yet the characters never cease to be real and fully drawn. I’m really looking forward to readers getting to know Simon, who is just as hilarious and fabulous as you would expect from his writing.”

Noah Can’t Even by Simon James Green publishes in May 2017.